Humboldt-Universität zu Berlin - Faculty of Humanities and Social Sciences - Institute of Asian and African Studies


(a) Herausgaben

-, und Osita Okagbue, Gast-Hg., African Theatre 8: Diasporas, Hg. Martin Banham, James Gibbs, Yvette Hutchison, Jane Plastow und Femi Osofisan (Oxford: James Currey, 2009).

-, Aderemi Raji-Oyelade und Geoffrey V. Davis, Hg., Of Minstrelsy and Masks: The Legacy of Ezenwa-Ohaeto in Nigerian Writing, Matatu 33 (Amsterdam: Rodopi, 2006).

-, und Susanne Mühleisen, Hg., Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective, IFAVL 102 (Amsterdam: Rodopi, 2006). Link

(b) Beiträge in Zeitschriften, Sammelbänden und Nachschlagewerken (Auswahl)

-, "Performing 'Africa'" in Germany: Members of abok Theatre Company in Conversation", in: Transcultural Modernities: Narrating Africa in Europe, Hg. Elisabeth Bekers, Sissy Helff und Daniela Merolla, Matatu 36 (Amsterdam: Rodopi, 2009), 391-404.

-, "Wole Soyinka, A Dance of the Forests (1963)", "Wole Soyinka, The Beatification of Area Boy (1995)", und "Tsitsi Dangarembga, Nervous Conditions (1988)", in: Kindlers Neues Literaturlexikon, 3., völlig neu überarb. Auflage, Hg. Heinz Ludwig Arnold (Stuttgart: J.B. Metzler, 2009).

-, "'Life in the Camp of the Enemy': Alemseged Tesfai's Theatre of War", in: African Literature Today 26: War in African Literature Today, Hg. Ernest E. Emenyonu (Oxford: James Currey, 2008), 15-32.

-, "Unity Dow, The Screaming of the Innocent (2002)", in: Teaching Contemporary Literature and Culture: Novels, 2 Bd, Hg. Susanne Peters, Klaus Stierstorfer, and Laurenz Volkmann (Trier: WVT, 2008), Part I, 157-171.

-, "Mahber Te'atr Asmera - The Asmara Theatre Association, 1961 - 1974", African Theatre: Companies, eds. Martin Banham, James Gibbs and Femi Osofisan, guest ed. James Gibbs (Oxford: James Currey, 2008), 62-81.

-, "Tsitsi Dangarembga, Nervous Conditions: Food for Thought in Zimbabwean Writing ", in: A History of Postcolonial Literature in 12 ½ Books, Hg. Tobias Döring, WVT Handbuch zum literaturwissenschaftlichen Studium 8 (Trier: WVT, 2007), 33-50.

-, "Gender Drama: Cross-Dressing and Role Reversals in the Eritrean Performing Arts", in: Theatre, Performance and New Media in Africa, Hg. Susan Arndt und Marek Spitczok von Brisinski, BASS 82 (Bayreuth: Eckhard Breitinger, 2007), 51-68.

-, und Jane Plastow, "Sewit Children's Theatre in Eritrea", African Theatre: Youth, eds. Martin Banham, James Gibbs and Femi Osofisan, guest ed. Michael Etherton (Oxford: James Currey, 2006), 138-150.

-, und Susanne Mühleisen, "Postcolonial Postmortems: Issues and Perspectives", in: Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective, Hg. Christine Matzke and Susanne Mühleisen, IFAVL Series 102 (Amsterdam: Rodopi, 2006), 1-16.

-, "'A good woman in a good country" or The Essence is in the Pumpkin: Alexander McCall Smith's Mma Ramotswe Novels as a Case of Postcolonial Nostalgia'", Wasafiri 21.1 (März 2006), 64-71.

-, und James Gibbs, "'...accents yet unknown": Examples of Shakespeare from Ghana, Malawi and Eritrea", in: Shakespeare's Legacy: The Appropriation of the Plays in Post-Colonial Drama,Hg. Norbert Schaffeld (Trier: Wissenschaftlicher Verlag Trier, 2005), 15-36.

-, "Shakespeare and Surgery in the Eritrean Liberation Struggle: Performance Culture in Orota", Journal of Eritrean Studies (Asmara), 3.1 (Mai 2004), 26-40.

-, "Africa: Eritrea, Ethiopia, Somalia", in: Oxford Encyclopedia of Theatre and Performance, Bd. 1: A-L, Hg. Dennis Kennedy (Oxford: Oxford University Press, 2003), 34-35.

-, "Engendering Theatre in Eritrea: The Roles and Representations of Women in the Performing Arts", in: Hot Spot Horn of Africa: Between Integration and Disintegration, Hg. Eva-Maria Bruchhaus (Münster: Lit, 2003), 156-164.

-, "Comrades in Arts and Arms: Stories of Wars and Watercolours in Eritrea", in: Sites/Sights of Creativity and Conflict: African Cultures, Visual Arts, and the Museum, Matatu 25-26, Hg. Tobias Doering (Amsterdam: Rodopi, 2002), 21-54.

-, "Of Suwa Houses and Singing Contests: Early Urban Women Performers in Asmara, Eritrea", in: African Theatre: Women, Hg. Martin Banham, James Gibbs und Femi Osofisan, Gasthg. Jane Plastow (Oxford: James Currey, 2002), 29-46.

-, "Musical Passages: Colonial and Post-Colonial Readings of West African Music", Zeitschrift für Anglistik und Amerikastudien (ZAA), Special Issue: Postcolonial Passages: Migration and Its Metaphors, Hg. Mita Banerjee, Markus Heide und Mark Stein, 49.3 (2001), 244-255.

-, "Trying to Find the Stepping-Stones: Writing Tigre and Bilen Dancing in Eritrea. An Impressionistic Choreography within a Theatre Context", in: History and Theatre in Africa, Hg. Yvette Hutchison und Eckhard Breitinger, Bayreuth African Studies Series 50/South African Theatre Journal 13 (Bayreuth: Eckhard Breitinger, 2000), 73-101.

-, "Njau, Rebeka", und "Ogot, Grace Emily Akinyi", in: Metzler Autorinnen Lexikon, Hg. Renate Hof, Inge Stephan, Flora Veit-Wild und Ute Hechtfischer (Stuttgart: Metzler, 1998), 389-390, 397-398.

-, "'Surto De Les Ombres Que S'Estenen I Cremen': Introducció general sobre la literatura contemporània en llengua anglesa d'autores kenyanes", Studia Africana (Barcelona), 9 (März 1998), 42-59.

(c) Rezensionen und Miszellen in :

- Acolit, African Affairs, Africa e Mediterraneo, African Theatre, Feminist Europa, Il Tolomeo, Leeds African Studies Bulletin, Journal for the Studies of British Cultures, The Journal of Modern African Studies, Matatu, Orientalistische Literaturzeitung, Panafrica, Research in African Literatures, Research in Drama in Education, Selam Eritrea, Theatre Research International, TDR: The Drama Review, Wasafiri, West Africa